- About
- Visit
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Exhibition
- Artists
- Digital Catalogue
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Essays
- Meeting in the Moment: The Black Feminism of Faith Ringgold and Betye Saar in the 1960s and Beyond
- Power to the People Faith Ringgold’s Black Panther Posters
- An Imprint of Histories from the Artists’ Studio Windows
- Betye Saar and Faith Ringgold: Printing New Possibilities at The Fabric Workshop and Museum
- Timeline
- Artworks
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Virtual Tour
- Matterport Tour of Exhibition
- Introduction to exhibition
- Betye Saar "Untitled"
- Betye Saar, "Now You Cookin’ with Gas,"
- Betye Saar, "The Long Memory"
- Faith Ringgold, "Committee to Defend the Panthers"
- Faith Ringgold, "Martin Luther King, Jr. Letter from Birmingham City Jail"
- Faith Ringgold, "You Put the Devil in Me "
- Faith Ringgold, "Declaration of Freedom and Independence"
- Store
- Media
Untitled
Title
Untitled
Description
While most of the works presented in this exhibition are print based items, this work demonstrates the multidisciplinary aspect of Betye Saar’s artistic practice. Creating connection between multiple surfaces is central to the artist’s methodology; using found objects, scraps, and the layering of materiality and narratives, Saar’s work celebrates textures and multiplicity of form. In this untitled piece, what looks like a heavy pour of colorful acrylic paints is an illusion. Appearing almost to be ripped from another surface, the piece of handmade colored paper lives in the center of the piece, showcasing an abstract flow of color and figurative elements such as the blue fish and a miniature yellow fan, a found material layered atop the abstract ground.
This work is part of artist Kevin Cole’s private collection. When asked about this piece by Saar, Cole explains that he acquired it in 2000 from another collector, and when he and Saar’s paths crossed again at the Des Moines Art Center a few years later, the work prompted a long conversation on perseverance.
This work is part of artist Kevin Cole’s private collection. When asked about this piece by Saar, Cole explains that he acquired it in 2000 from another collector, and when he and Saar’s paths crossed again at the Des Moines Art Center a few years later, the work prompted a long conversation on perseverance.
Creator
Betye Saar
Date
1963
Format
Mixed media collage
Provenance
Collection of Kevin Cole
Files
Citation
Betye Saar, “Untitled,” Ringgold | Saar: Meeting on the Matrix, accessed December 24, 2024, https://black-printmaking.artinterp.org/items/show/38.