- About
- Visit
-
Exhibition
- Artists
- Digital Catalogue
-
Essays
- Meeting in the Moment: The Black Feminism of Faith Ringgold and Betye Saar in the 1960s and Beyond
- Power to the People Faith Ringgold’s Black Panther Posters
- An Imprint of Histories from the Artists’ Studio Windows
- Betye Saar and Faith Ringgold: Printing New Possibilities at The Fabric Workshop and Museum
- Timeline
- Artworks
-
Virtual Tour
- Matterport Tour of Exhibition
- Introduction to exhibition
- Betye Saar "Untitled"
- Betye Saar, "Now You Cookin’ with Gas,"
- Betye Saar, "The Long Memory"
- Faith Ringgold, "Committee to Defend the Panthers"
- Faith Ringgold, "Martin Luther King, Jr. Letter from Birmingham City Jail"
- Faith Ringgold, "You Put the Devil in Me "
- Faith Ringgold, "Declaration of Freedom and Independence"
- Store
- Media
Acrobats
Title
Acrobats
Description
Acrobats is one of the prints produced during the course of Saar’s graduate studies at California State Long Beach, where she specialized in printmaking. Here we see an acrobatic troupe of undistinguished figures posed in a daring act of physical skill. The characters balance across the vertical length of the paper, stacked on each other’s shoulders. From a distance, the highly-textured, dark gray washes of ink partially obscure the print’s representational elements. The top figure on the stack of dark, charcoal bodies proudly raises their arms to reveal a severed head in each hand: a subtle and unassuming, yet gruesome, detail.
Creator
Betye Saar
Date
1960
Format
Etching
Provenance
Collection of Lewis Tanner Moore
Files
Citation
Betye Saar, “Acrobats,” Ringgold | Saar: Meeting on the Matrix, accessed November 21, 2024, https://black-printmaking.artinterp.org/items/show/19.