4 10 72 https://black-printmaking.artinterp.org/files/original/7e996127ed131a90b66acafe7009176a.jpeg b5fdad15be0ba3ba76ace6c2adafe817 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jo Baker’s Birthday Description An account of the resource In Jo Baker’s Birthday, Faith Ringgold depicts Josephine Baker, a 20th century multidisciplinary artist and activist whose life and experiences Ringgold deeply identifies with. Baker poses semi-nude, gazing back at the viewer self-confidently, secure in her empowerment and status as an unequivocal icon of women’s sexual liberation. Her surroundings and Ringgold’s composition are appropriated from famous European paintings, notably Henri Matisse’s Harmony in Red (1908) and Odalisque Couchée aux Magnolias (Odalisque Lying with Magnolias) (1923). Ringgold’s subtle nods to art history simultaneously highlight the influence of African culture on European Modernism which often appropriated African forms while dehumanizing and othering African cultures and peoples. Originating from Ringgold’s quilt series The French Collection, this serigraph was printed by Berkeley Art Center and Alliance Graphics for the 10x10: Ten Women/Ten Prints portfolio commemorating the ratification of the 19th Amendment, which made it illegal to deny the right to vote based on sex. Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 1995 Format The file format, physical medium, or dimensions of the resource Serigraph Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. David C. Driskell Center Permanent Collection, Gift from Jean and Robert E. Steele Collection https://black-printmaking.artinterp.org/files/original/7a5c1dd1653ef273cb82f4d1491af9bc.jpg 328e74419fd635852476aa0b4929b0c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Team Profiles Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joohee Kim https://black-printmaking.artinterp.org/files/original/2c424624fce3e42d1e84c2c9056a6fb2.png 10adf885d88b83c69f8ed87d8073b501 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jump on One Foot, One Foot Description An account of the resource Saar’s gestural print of a girl jumping rope escapes the charm typically associated with childhood play, instead infusing the scene with the vigor of the child’s rapid movement. The smudges of ink at the girl’s feet evoke dust kicked up by the rope hitting the ground as her undefined edges animate her brisk jumping. Saar takes full advantage of the painterly qualities of monotype printmaking, in which paper is pressed against a surface applied with ink, often with a brush. Because the plate is not incised like an etching, the design is typically printed only once. This monotype demonstrates the continuity and experimentation of Saar’s printmaking practice in her mature career, well after she began making her acclaimed assemblages in the late 1960s. Creator An entity primarily responsible for making the resource Betye Saar Date A point or period of time associated with an event in the lifecycle of the resource 1984 Format The file format, physical medium, or dimensions of the resource Oil monotype Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of Cleophus Thomas https://black-printmaking.artinterp.org/files/original/d42d7ed7e9ed9f1b9a9c12464b74d00c.jpg 1e042c74e9d19854287ea4eb8bef6f18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kim fig 1 https://black-printmaking.artinterp.org/files/original/f071f5236bc9f82a06dbb0764b79ab75.jpg 320ab01386b77d1bd6bbb3c3714f87e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kim fig 2 https://black-printmaking.artinterp.org/files/original/8381899a051ad4c2dba821ea4828508f.jpg 1c48d39e49d22c43ae0c60f447bf6e6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kim fig 3 https://black-printmaking.artinterp.org/files/original/64bfbc39790c38bc3ee2975652024a53.jpg e2a56bbe3193b6a205b4643e00e4d2a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kim fig 4 https://black-printmaking.artinterp.org/files/original/5243263053e06e94afac1024dc1e6695.jpg 1e7b352d81635841214e5fdbd721bfe9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kim fig 5 https://black-printmaking.artinterp.org/files/original/5d92c5c0c601dc86de9a0f1f12c752c4.jpg b2abd95fdaf00243932ddaa5188a0ecc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kim fig 6 https://black-printmaking.artinterp.org/files/original/2c30b3b60fb3fd2ed7def2413a0ecf1d.jpg f060339f47e58fdb63207eceed2c0804 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kipp comparative fig