3 10 72 https://black-printmaking.artinterp.org/files/original/ea27839a29814ba8056676d213581e86.jpg ec7f2e95238a46f7e6e84f75fc6d148a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Taxes on Us Without our Consent from Portfolio of Declaration of Freedom and Independence Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 2009 Format The file format, physical medium, or dimensions of the resource Serigraph, digital print, letterpress Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of Curlee Raven Holton https://black-printmaking.artinterp.org/files/original/854c2f851532be251c0c16a9e29d4a20.jpg 5216681129cf88002d03c636d0b0e081 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource As Free and Independent States from Portfolio of Declaration of Freedom and Independence Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 2009 Format The file format, physical medium, or dimensions of the resource Serigraph, digital print, letterpress Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of Curlee Raven Holton https://black-printmaking.artinterp.org/files/original/57ba8f48279942779aa85694b16a4005.jpg d476d1e1edae0f96aac42671d90f8cdf Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource And Women? from Portfolio of Declaration of Freedom and Independence Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 2009 Format The file format, physical medium, or dimensions of the resource Serigraph, digital print, letterpress Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of Curlee Raven Holton https://black-printmaking.artinterp.org/files/original/0e833e35ed0bcf82152f90ddb73b6df3.jpg bcc34167774c0b2646d62f59529d8166 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Absolute Tyranny from Portfolio of Declaration of Freedom and Independence Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 2009 Format The file format, physical medium, or dimensions of the resource Serigraph, digital print, letterpress Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of Curlee Raven Holton https://black-printmaking.artinterp.org/files/original/f55ff611a53220f44c595a476c71b0e9.jpg 765747d1b0318137aa61637aec2bcbfa Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource All Men Are Created Equal from Portfolio of Declaration of Freedom and Independence Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 2009 Format The file format, physical medium, or dimensions of the resource Serigraph, digital print, letterpress Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of Curlee Raven Holton https://black-printmaking.artinterp.org/files/original/f53d3b6b6fca687c7f89c3dd40d888f7.jpeg 594643ffda54990fb9ec21a5d905a9cb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Stories: Mama Can Sing, Papa Can Blow #2: Come On and Dance with Me Description An account of the resource Faith Ringgold’s Jazz Stories quilt series spotlights women musicians and in Come On and Dance with Me, the high-spirited singer embodies the lyrics with passion and joy. Across her imagery Ringgold centers the importance of African diasporic creativity to both historic and contemporary society, pushing back on limiting narratives that claim these cultures are marginal. Her rebellion extends to engagements with quilts and textiles – materials that are still often overlooked within modernist histories. Originating as a way to bypass censorship, Ringgold’s quilts utilize a domestic, disarming medium to carry nuanced messages and stories that range from deeply interpersonal to cultural and political. Through these masterful artworks, Ringgold adds immeasurably to both the African-American tradition of pictorial story quilts and the canon of modernist and contemporary art. Lyrics for all of Ringgold’s jazz series can be found in the Faith Ringgold Study Room. Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 2004 Format The file format, physical medium, or dimensions of the resource Acrylic on canvas with pieced fabric border, quilted Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Loan courtesy of the artist and ACA Galleries https://black-printmaking.artinterp.org/files/original/e393d50114a4940afef65c8e3c9299e2.jpeg fcb749b005f6822388961ba1032bd3cd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High John De Conquer from Bookmarks in the Pages of Life Creator An entity primarily responsible for making the resource Betye Saar Date A point or period of time associated with an event in the lifecycle of the resource 2000 Format The file format, physical medium, or dimensions of the resource Serigraph Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of James Williams https://black-printmaking.artinterp.org/files/original/eb28f30d4b8a086ac3057ce21647876b.jpeg 184af9f68482e72d51e3ea174472fdf9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alison Description An account of the resource Betye’s printmaking studio was located in a dedicated room in her Laurel Canyon home during her daughters’ youth, but the acids and machinery involved in intaglio printmaking meant the studio was generally off-limits to the young children. However, the girls still made their way into Saar’s studio symbolically by appearing in her family-focused prints. In this portrait-print, seven-year-old Alison’s face fills the frame, her head conforming to the rectangular shape of the metal plate on which Betye etched her second daughter’s likeness. Large, inquisitive eyes meet the viewers gaze, and we are invited to imagine a mother’s gaze returned by one of the little muses she sees just outside her home-studio each day. “As children, my sisters and I were taken to museums and art openings like some kids go to baseball games and the zoo.” —Tracye Saar-Cavanaugh Creator An entity primarily responsible for making the resource Betye Saar Date A point or period of time associated with an event in the lifecycle of the resource 1963 Format The file format, physical medium, or dimensions of the resource Etching Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of Julie Farr https://black-printmaking.artinterp.org/files/original/c4dd14488caf5d1f037a424d6bb5bae2.jpeg 569879edeef5a768e4ece88f82541df8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wynton’s Tune Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 2004 Format The file format, physical medium, or dimensions of the resource Serigraph Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. David C. Driskell Center Permanent Collection, Gift from the Jean and Robert E. Steele Collection https://black-printmaking.artinterp.org/files/original/9b95942e68d27b9580481b624d2a48e8.jpeg da76673b42549dc7bda5cbf36a722903 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource You Put the Devil In Me Creator An entity primarily responsible for making the resource Faith Ringgold Date A point or period of time associated with an event in the lifecycle of the resource 2004 Format The file format, physical medium, or dimensions of the resource Serigraph Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. David C. Driskell Center Permanent Collection, Gift from the Jean and Robert E. Steele Collection