<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/53">
    <dcterms:title><![CDATA[Taxes on Us Without our Consent from Portfolio of Declaration of Freedom and Independence]]></dcterms:title>
    <dcterms:creator><![CDATA[Faith Ringgold]]></dcterms:creator>
    <dcterms:date><![CDATA[2009]]></dcterms:date>
    <dcterms:format><![CDATA[Serigraph, digital print, letterpress]]></dcterms:format>
    <dcterms:provenance><![CDATA[Collection of Curlee Raven Holton ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/52">
    <dcterms:title><![CDATA[As Free and Independent States from Portfolio of Declaration of Freedom and Independence]]></dcterms:title>
    <dcterms:creator><![CDATA[Faith Ringgold]]></dcterms:creator>
    <dcterms:date><![CDATA[2009]]></dcterms:date>
    <dcterms:format><![CDATA[Serigraph, digital print, letterpress]]></dcterms:format>
    <dcterms:provenance><![CDATA[Collection of Curlee Raven Holton ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/51">
    <dcterms:title><![CDATA[And Women? from Portfolio of Declaration of Freedom and Independence]]></dcterms:title>
    <dcterms:creator><![CDATA[Faith Ringgold]]></dcterms:creator>
    <dcterms:date><![CDATA[2009]]></dcterms:date>
    <dcterms:format><![CDATA[Serigraph, digital print, letterpress]]></dcterms:format>
    <dcterms:provenance><![CDATA[Collection of Curlee Raven Holton]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/50">
    <dcterms:title><![CDATA[Absolute Tyranny from Portfolio of Declaration of Freedom and Independence]]></dcterms:title>
    <dcterms:creator><![CDATA[Faith Ringgold]]></dcterms:creator>
    <dcterms:date><![CDATA[2009]]></dcterms:date>
    <dcterms:format><![CDATA[Serigraph, digital print, letterpress]]></dcterms:format>
    <dcterms:provenance><![CDATA[Collection of Curlee Raven Holton]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/49">
    <dcterms:title><![CDATA[All Men Are Created Equal from Portfolio of Declaration of Freedom and Independence]]></dcterms:title>
    <dcterms:creator><![CDATA[Faith Ringgold]]></dcterms:creator>
    <dcterms:date><![CDATA[2009]]></dcterms:date>
    <dcterms:format><![CDATA[Serigraph, digital print, letterpress]]></dcterms:format>
    <dcterms:provenance><![CDATA[Collection of Curlee Raven Holton ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/48">
    <dcterms:title><![CDATA[Jazz Stories: Mama Can Sing, Papa Can Blow #2: Come On and Dance with Me]]></dcterms:title>
    <dcterms:description><![CDATA[Faith Ringgold’s Jazz Stories quilt series spotlights women musicians and in Come On and Dance with Me, the high-spirited singer embodies the lyrics with passion and joy. Across her imagery Ringgold centers the importance of African diasporic creativity to both historic and contemporary society, pushing back on limiting narratives that claim these cultures are marginal. Her rebellion extends to engagements with quilts and textiles – materials that are still often overlooked within modernist histories. Originating as a way to bypass censorship, Ringgold’s quilts utilize a domestic, disarming medium to carry nuanced messages and stories that range from deeply interpersonal to cultural and political. Through these masterful artworks, Ringgold adds immeasurably to both the African-American tradition of pictorial story quilts and the canon of modernist and contemporary art.<br />
 <br />
Lyrics for all of Ringgold’s jazz series can be found in the Faith Ringgold Study Room. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Faith Ringgold]]></dcterms:creator>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
    <dcterms:format><![CDATA[Acrylic on canvas with pieced fabric border, quilted]]></dcterms:format>
    <dcterms:provenance><![CDATA[Loan courtesy of the artist and ACA Galleries]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/47">
    <dcterms:title><![CDATA[High John De Conquer from Bookmarks in the Pages of Life]]></dcterms:title>
    <dcterms:creator><![CDATA[Betye Saar]]></dcterms:creator>
    <dcterms:date><![CDATA[2000]]></dcterms:date>
    <dcterms:format><![CDATA[Serigraph]]></dcterms:format>
    <dcterms:provenance><![CDATA[Collection of James Williams]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/46">
    <dcterms:title><![CDATA[Alison]]></dcterms:title>
    <dcterms:description><![CDATA[Betye’s printmaking studio was located in a dedicated room in her Laurel Canyon home during her daughters’ youth, but the acids and machinery involved in intaglio printmaking meant the studio was generally off-limits to the young children. However, the girls still made their way into Saar’s studio symbolically by appearing in her family-focused prints. In this portrait-print, seven-year-old Alison’s face fills the frame, her head conforming to the rectangular shape of the metal plate on which Betye etched her second daughter’s likeness. Large, inquisitive eyes meet the viewers gaze, and we are invited to imagine a mother’s gaze returned by one of the little muses she sees just outside her home-studio each day.<br />
 <br />
“As children, my sisters and I were taken to museums and art openings like some kids go to baseball games and the zoo.” —Tracye Saar-Cavanaugh]]></dcterms:description>
    <dcterms:creator><![CDATA[Betye Saar]]></dcterms:creator>
    <dcterms:date><![CDATA[1963]]></dcterms:date>
    <dcterms:format><![CDATA[Etching]]></dcterms:format>
    <dcterms:provenance><![CDATA[Collection of Julie Farr]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/45">
    <dcterms:title><![CDATA[Wynton’s Tune]]></dcterms:title>
    <dcterms:creator><![CDATA[Faith Ringgold]]></dcterms:creator>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
    <dcterms:format><![CDATA[Serigraph]]></dcterms:format>
    <dcterms:provenance><![CDATA[David C. Driskell Center Permanent Collection, Gift from the Jean and Robert E. Steele Collection]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://black-printmaking.artinterp.org/items/show/44">
    <dcterms:title><![CDATA[You Put the Devil In Me]]></dcterms:title>
    <dcterms:creator><![CDATA[Faith Ringgold]]></dcterms:creator>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
    <dcterms:format><![CDATA[Serigraph]]></dcterms:format>
    <dcterms:provenance><![CDATA[David C. Driskell Center Permanent Collection, Gift from the Jean and Robert E. Steele Collection]]></dcterms:provenance>
</rdf:Description></rdf:RDF>
